This horror novel is also a thoughtful exploration of mental illness, intergenerational trauma, and love, and the power of storytelling. The tone changes frequently, which kept me on the edge of my seat, and the ending is so powerful and surprising that I found myself wanting to re-read it immediately.Publisher's description:
On the surface, Alice is exactly where she should be in life: she's just given birth to a beautiful baby girl, Dawn; her ever-charming husband Steve--a white academic whose area of study is conveniently her own Mohawk culture--is nothing but supportive; and they've just moved into a new home in a wealthy neighbourhood in Toronto, a generous gift from her in-laws. But Alice could not feel like more of an imposter. She isn't connecting with Dawn, ... and every waking moment is spent hiding her despair from Steve and their picture-perfect neighbours, amongst whom she's the sole Indigenous resident. Even when she does have a moment to herself, her perpetual self-doubt hinders the one vestige of her old life she has left: her goal of writing a modern retelling of the Haudenosaunee creation story. Then strange things start happening ...