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Cover ArtA hilarious and educational journey through the history of English rulers, from King Arthur to Queen Elizabeth I. If you like dry British wit and history, this is the perfect read for you! And for an extra bonus, try the author-narrated audiobook--Mitchell's reading sounds like you're just having a chat over a pint about a thousand years of British heritage.
 

Publisher's description:
Think you know the kings and queens of England? Think again. In Unruly, David Mitchell explores how early England’s monarchs, while acting as feared rulers firmly guiding their subjects’ destinies, were in reality a bunch of lucky bastards who were mostly as silly and weird in real life as they appear today in their portraits. Taking us back to King Arthur (spoiler: he didn’t exist), Mitchell tells the founding story of post-Roman England up to the reign of Elizabeth I (spoiler: she dies). It’s a tale of narcissists, inadequate self-control, middle-management insurrection, uncivil wars, and a few Cnuts, as the English evolved from having their crops stolen by the thug with the largest armed gang to bowing and paying taxes to a divinely anointed king. How this happened, who it happened to, and why the hell it matters are all questions that Mitchell answers with brilliance, wit, and the full erudition of a man who once studied history -- and won’t let it off the hook for the mess it’s made. A funny book that takes history seriously, Unruly is for anyone who has ever wondered how the British monarchy came to be -- and who is to blame.

Find Unruly in our online catalog.

Cover ArtAbdurraqib's writing is passionate, jumps off the page at times, and has rhythm and meaning for every word and at the corners of every sentence. He articulates what it means to be a true fan, how that fandom is intertwined with the city you're from, and how a lot of times that city lets you down but you keep showing up, because you've always dreamed of the day your team, your city, can rise above it and get national recognition for redemption, even if it's just for that moment.
 
Publisher's description: 
While Hanif Abdurraqib is an acclaimed author, a gifted poet, and one of our culture's most insightful music critics, he is most of all, at heart, an Ohioan. Growing up in Columbus in the '90s, Abdurraqib witnessed a golden era of basketball, one in which legends like LeBron were forged, and countless others weren't. His lifelong love of the game leads Abdurraqib into a lyrical, historical, and emotionally rich exploration of what it means to make it, who we think deserves success, the tensions between excellence and expectation, and the very notion of role-models, all of which he expertly weaves together with memoir: "Here is where I would like to tell you about the form on my father's jumpshot," Abdurraqib writes. "The truth, though, is that I saw my father shoot a basketball only one time.
 
02/26/2025
Boulder Library
Cover ArtKimmerle explores the investigation that inspired Colson Whitehead's novel The Nickel Boys in this challenging read. However, Kimmerle also shows that there are those who are committed to preserving history, including the bad.
 
Publisher description:
Recounts the story of the Dozier School, a Florida reform school shut down in 2011 due to reports of cruelty, abuse, and mysterious deaths, and the efforts of the author, a leading forensic anthropologist, to locate and exhume the graves of the boys buried there in order to reunite them with their families.
 
Cover ArtThis book explores how American cities were intentionally built to segregate minorities and discourage investment in their neighborhoods, creating urban blight and sustained poverty. The consequences of this de facto apartheid are still felt today and contribute to continued discrimination.

Publisher's description:
In this groundbreaking history of the modern American metropolis, Richard Rothstein, a leading authority on housing policy, explodes the myth that America's cities came to be racially divided through de facto segregation―that is, through individual prejudices, income differences, or the actions of private institutions like banks and real estate agencies. Rather, The Color of Law incontrovertibly makes clear that it was de jure segregation―the laws and policy decisions passed by local, state, and federal governments―that actually promoted the discriminatory patterns that continue to this day. Through extraordinary revelations and extensive research that Ta-Nehisi Coates has lauded as "brilliant" (The Atlantic), Rothstein comes to chronicle nothing less than an untold story that begins in the 1920s, showing how this process of de jure segregation began with explicit racial zoning, as millions of African Americans moved in a great historical migration from the south to the north. As Jane Jacobs established in her classic The Death and Life of Great American Cities, it was the deeply flawed urban planning of the 1950s that created many of the impoverished neighborhoods we know.

Find The Color of Law in our online catalog
Cover ArtA captivating book full of history and lovely prose.  An older female historian discovers   documents from the 16th century and from there we are led into the fascinating interweaving stories of the historian and the female scribe to a blind rabbi in London. 
 
Publisher's description:
An intellectual and emotional jigsaw puzzle of a novel for readers of A.S. Byatt's Possession and Geraldine Brooks's People of the Book. Set in London of the 1660s and of the early twenty-first century, The Weight of Ink is the interwoven tale of two women of remarkable intellect: Ester Velasquez, an emigrant from Amsterdam who is permitted to scribe for a blind rabbi, just before the plague hits the city; and Helen Watt, an ailing historian with a love of Jewish history. As the novel opens, Helen has been summoned by a former student to view a cache of seventeenth-century Jewish documents newly discovered in his home during a renovation. Enlisting the help of Aaron Levy, an American graduate student as impatient as he is charming, and in a race with another fast-moving team of historians, Helen embarks on one last project: to determine the identity of the documents' scribe, the elusive "Aleph." Electrifying and ambitious, sweeping in scope and intimate in tone, The Weight of Ink is a sophisticated work of historical fiction about women separated by centuries, and the choices and sacrifices they must make in order to reconcile the life of the heart and mind.
 
Find The Weight of Ink in our online catalog
Cover Art
Palestinian historian Khalidi writes a nuanced and lived experience history that explores the historic and present experiences of Palestinians. It is fundamentally a critique of imperialism, Southwest Asian geopolitics, Israel, the United Sates, Western Europe, and Palestinian political leadership. I've wanted to know more about Palestine and Israel for a long time. Palestinian historian Khaldidi's account of 1917-2017 in the region is a deeply engaging and informed critique not often heard in the U.S. Most especially his experience of 1982 Israeli invasion of Beirut personalized this history. Highly recommend listening to on audiobook. 
 
Publisher's description: 
A landmark history of one hundred years of war waged against the Palestinians from the foremost US historian of the Middle East, told through pivotal events and family history In 1899, Yusuf Diya al-Khalidi, mayor of Jerusalem, alarmed by the Zionist call to create a Jewish national home in Palestine, wrote a letter aimed at Theodore Herzl: the country had an indigenous people who would not easily accept their own displacement. He warned of the perils ahead, ending his note, “in the name of God, let Palestine be left alone.” Thus Rashid Khalidi, al-Khalidi’s great-great-nephew, begins this sweeping history, the first general account of the conflict told from an explicitly Palestinian perspective. Drawing on a wealth of untapped archival materials and the reports of generations of family members—mayors, judges, scholars, diplomats, and journalists—The Hundred Years' War on Palestine upends accepted interpretations of the conflict, which tend, at best, to describe a tragic clash between two peoples with claims to the same territory. Instead, Khalidi traces a hundred years of colonial war on the Palestinians, waged first by the Zionist movement and then Israel, but backed by Britain and the United States, the great powers of the age. He highlights the key episodes in this colonial campaign, from the 1917 Balfour Declaration to the destruction of Palestine in 1948, from Israel’s 1982 invasion of Lebanon to the endless and futile peace process. Original, authoritative, and important, The Hundred Years' War on Palestine is not a chronicle of victimization, nor does it whitewash the mistakes of Palestinian leaders or deny the emergence of national movements on both sides. In reevaluating the forces arrayed against the Palestinians, it offers an illuminating new view of a conflict that continues to this day. 
 

 

Cover ArtIn this captivating memoir by African-American abolitionist and former escaped slave Frederick Douglass, it is clear to see why this work became one of the most influential texts in abolitionist history. With its heart-wrenching renderings of the beatings Douglass saw administered by his ruthless overseers on his friends, family, and other slaves on the various plantations he was sent to and with the detailing of the natures of his different masters, Douglass conveys how slavery is in every way morally wrong and horrendous even with “kind” masters. He makes many remarks on how slavery is not only awful for the slave but also causes the slaveholder’s character to change for the worse. For example, while writing about when he was first sent to Baltimore to live with Mrs. Sophia Auld and her husband, he nostalgically reminisces about how kind she was (she even taught him the alphabet, though it was because she did not know that it was prohibited to teach slaves to read and write). He then laments how slaveholding made her become more and more cruel and unfeeling and caused her relationship with her husband to deteriorate. Through this and other accounts of his fearful experiences, Douglass was among the first to paint an accurate picture of the horrors of slavery to the white American public and was the very first to gain such immediate success after the publication of his memoir.
 
- Jiyu K, ninth-grade teen volunteer
 
Publisher's description:
The preeminent American slave narrative first published in 1845, Frederick Douglass’s Narrative powerfully details the life of the abolitionist from his birth into slavery in 1818 to his escape to the North in 1838, how he endured the daily physical and spiritual brutalities of his owners and driver, how he learned to read and write, and how he grew into a man who could only live free or die.
 
Cover ArtI got hooked on the first page, and I didn't put the book down for a long time after.  There's nothing more powerful than memory, and Rubin does an amazing job of capturing the memories of the last living WWI Veterans. Learn more about WWI from the mouths of those who fought it.
 
Publisher's description:
In 2003, eighty-five years after the armistice, it took Richard Rubin months to find just one living American veteran of World War I. But then, he found another. And another. Eventually he found dozens, aged 101 to 113, and interviewed them. All are gone now. A decade-long odyssey to recover the story of a forgotten generation and their war led Rubin across the United States and France, through archives, private collections, battlefields, literature, propaganda, and even music. But at the center of it all were the last of the last, the men and women he met: a new immigrant, drafted and sent to France, whose life was saved by a horse; a Connecticut Yankee who volunteered and fought in every major American battle; a Cajun artilleryman nearly killed by a German airplane; an eighteen-year-old Bronx girl "drafted" to work for the War Department; a machine gunner from Montana; a marine wounded at Belleau Wood; the sixteen-year-old who became America's last World War I veteran; and many more. They were the final survivors of the millions who made up the American Expeditionary Forces, nineteenth-century men and women living in the twenty-first century. Self-reliant, humble, and stoic, they kept their stories to themselves for a lifetime, then shared them at the last possible moment so that they, and the war they won-the trauma that created our modern world-might at last be remembered. You will never forget them. The Last of the Doughboys is more than simply a war story; it is a moving meditation on character, grace, aging, and memory.
 
Find The Last of the Doughboys in our online catalog
Cover ArtForced into serving as a Jewish  Blockälteste (block leader) in Auschwitz-Birkenau, Magda Hellinger would witness unimaginable cruelty and destruction. By using her new position of power in the camp she would also save thousands of innocent people from the Nazi ovens. A remarkable true story!
 
Publisher's description: 
In March 1942, at the age of 25, kindergarten teacher Magda Hellinger was deported from her hometown in Slovakia along with 998 other young women. They were some of the first Jews to be sent to the Auschwitz concentration camp. Very few would survive the next three years until liberation. The SS soon discovered that by putting prisoners in day-to-day charge of the accommodation blocks and even the camps at large -- so called Blockalteste and Lageralteste respectively -- they could both reduce the number of guards required and use these "leaders" to deflect attention away from themselves. Magda was one such Jewish prisoner selected for leadership. Like many others during the war she found herself constantly treading a fine line: how to save lives-if only a few at a time-while avoiding being too "soft" and likely sent to the gas chambers. Through her own inner strength and ingenuity, she was able to rise above the horror and cruelty of the camps and build pivotal relationships with the women under her watch, and some of Auschwitz's most notorious Nazi senior officers. Based on Magda's own personal account and completed by her daughter's extensive research, this awe-inspiring story offers us incredible insight into human nature under the pressure to survive, the power of resilience, and the goodness that can shine through even in the most horrific of conditions.
 
Cover ArtThis memoir by Israel's most celebrated author and peace activist offers the perspective of a young boy growing up in Israel at the time it became a state. He deals with his mother's death, rejection of life in Jerusalem, and raising himself on a kibbutz.
 
Publisher's description:
The International Bestselling memoir from award-winning author Amos Oz, "one of Isreal's most prolific writers and respected intellectuals" (The New York Times), about his turbulent upbringing in the city of Jerusalem in the era of the dissolution of Mandatory Palestine and the beginning of the State of Israel. A family saga and a magical self-portrait of a writer who witnessed the birth of a nation and lived through its turbulent history. A Tale of Love and Darkness is the story of a boy who grows up in war-torn Jerusalem, in a small apartment crowded with books in twelve languages and relatives speaking nearly as many. The story of an adolescent whose life has been changed forever by his mother's suicide. The story of a man who leaves the constraints of his family and community to join a kibbutz, change his name, marry, have children. The story of a writer who becomes an active participant in the political life of his nation.
 
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