Dungy, a CSU professor and poet, writes about the flower garden and native prairie space at her home in Fort Collins. Dungy, who is African American, shares stories along with the scientific names of her plants. A chapter might begin with rabbits living in her yard, then shift to the history of how plants and seeds arrived with Africans who survived the Middle Passage to be sold into slavery. She weaves modern events with family history and historical research about the United States.Publisher’s description
Poet and scholar Camille T. Dungy recounts the seven-year odyssey to diversify her garden in the predominately white community of Fort Collins, Colorado. When she moved there in 2013, with her husband and daughter, the community held strict restrictions about what residents could and could not plant in their gardens. In resistance to the homogenous policies that limited the possibility and wonder that grows from the earth, Dungy employs the various plants, herbs, vegetables, and flowers she grows in her garden as metaphor and treatise for how homogeneity threatens the future of our planet, and why cultivating diverse and intersectional language in our national discourse about the environment is the best means of protecting it.
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Poet and scholar Camille T. Dungy recounts the seven-year odyssey to diversify her garden in the predominately white community of Fort Collins, Colorado. When she moved there in 2013, with her husband and daughter, the community held strict restrictions about what residents could and could not plant in their gardens. In resistance to the homogenous policies that limited the possibility and wonder that grows from the earth, Dungy employs the various plants, herbs, vegetables, and flowers she grows in her garden as metaphor and treatise for how homogeneity threatens the future of our planet, and why cultivating diverse and intersectional language in our national discourse about the environment is the best means of protecting it.
Find Soil in our online catalog
Publisher's description:
From the author of Madame Restell and Get Well Soon, a biography of Mamie Fish that explores how women used parties and social gatherings to gain power and prestige. Marion Graves Anthon Fish, known by the nicknames "Mamie" and "The Fun-Maker," threw the most epic parties in American history. This Gilded Age icon brought it all: lavish decor; A-list invitees; booze; pranks; and large animal guest stars. If you were a member of New York high society in the Peak Age of Innocence Era, you simply had to be on Mamie Fish's guest list. Mamie Fish understood that people didn't just need the formality of prior generations - they needed wit and whimsy. Make no mistake, however: Mamie Fish's story is about so much more than partying. In Glitz, Glam, and a Damn Good Time, readers will learn all about how Fish and her friends shaped the line of history, exerting their influence on business, politics, family relationships, and social change through elaborate social gatherings. In a time when women couldn't even own property, let alone run for office, if women wanted any of the things men got outside the home - glory, money, attention, social networking, leadership roles - they had to do it by throwing a decadent soiree or chairing a cotillion. To ensure people would hear and remember what she had to say, Mamie Fish lived her whole life at Volume 10, becoming famous not by playing the part of a saintly helpmeet, but by letting her demanding, bitchy, hilarious, dramatic freak flag fly. It's time to let modern readers in on the fun, the fabulousness, and the absolute ferocity that is Ms. Stuyvesant Fish - and her inimitable legacy.
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