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Read-alikes for BPL's Top Checkouts of 2022

by Boulder Library on 2023-01-06T12:08:00-07:00 in adult fiction, adult nonfiction | 0 Comments

 

Our patrons checked out these ten books more than any others in 2022. If you were one of the readers who loved these books, our team has some suggestions for you! Descriptions are drawn from BPL's online catalog and are provided by individual publishers.

 

If you enjoyed The Lincoln Highway, by Amor Towles, you may like:

"Minnesota, 1915. With success long behind him, writer, husband, and father Monte Becket has lost his sense of purpose . . . until he befriends outlaw Glendon Hale. Plagued by guilt over abandoning his wife two decades ago, Hale is heading back West in search of absolution. And he could use some company on the journey. As the modern age marches swiftly forward, Becket agrees to travel into Hale's past, leaving behind his own family for an adventure that will test the depth of his loyalties and morals, and the strength of his resolve. As they flee the relentless former Pinkerton Detective who's been hunting Hale for years, Becket falls ever further into the life of an outlaw-perhaps to the point of no return."
Cover ArtThe Four Winds, by Kristin Hannah
"[A]n epic novel of love and heroism and hope, set against the backdrop of one of America's most defining eras--the Great Depression. Texas, 1934. Millions are out of work and a drought has broken the Great Plains. Farmers are fighting to keep their land and their livelihoods as the crops are failing, the water is drying up, and dust threatens to bury them all. One of the darkest periods of the Great Depression, the Dust Bowl era, has arrived with a vengeance. In this uncertain and dangerous time, Elsa Martinelli--like so many of her neighbors--must make an agonizing choice: fight for the land she loves or go west, to California, in search of a better life. The Four Winds is an indelible portrait of America and the American Dream, as seen through the eyes of one indomitable woman whose courage and sacrifice will come to define a generation."
Cover ArtThis Tender Land, by William Kent Krueger
"In the summer of 1932, on the banks of Minnesota's Gilead River, the Lincoln Indian Training School is a pitiless place where Native American children, forcibly separated from their parents, are sent to be educated. It is also home to Odie O'Banion, a lively orphan boy whose exploits contantly earn him the superintendent's wrath. Odie and his brother, Albert, are the only white faces among hundreds of Native American children at the school. After committing a terrible crime, Odie and Albert are forced to flee from their lives along with their best friend, Mose, a mute young man of Sioux heritage. Out of pity, they also take with them a brokenhearted little girl named Emmy. Together, they steal away in a canoe, heading for the mighty Mississippi in search of a place to call home. Over the course of one unforgettable summer, these four orphan vagabonds journey into the unknown, crossing paths with others who are adrift, from struggling farmers and travelling faith healers to displaced families and lost souls of all kinds."
Cover ArtGrapes of Wrath, by John Steinbeck
"First published in 1939, Steinbeck's Pulitzer Prize-winning epic of the Great Depression chronicles the Dust Bowl migration of the 1930s and tells the story of one Oklahoma farm family, the Joads, driven from their homestead and forced to travel west to the promised land of California. Out of their trials and their repeated collisions against the hard realities of an America divided into haves and have-nots evolves a drama that is intensely human yet majestic in its scale and moral vision, elemental yet plainspoken, tragic but ultimately stirring in its human dignity."
Cover ArtCold Millions, by Jess Walter
"Orphans Gig and Rye Dolan don't have a penny to their names. The brothers work grueling, odd jobs each day just to secure a meal, and spend nights sleeping wherever they can with other day laborers. Twenty-three-year-old Gig is a passionate union man, fighting for fair pay and calling out the corrupt employers who exploit the working class. Eager to emulate his older brother, Rye follows suit, though he can't quite muster Gig's passion for the cause. But when Rye's turn on the soap box catches the eye of well-known activist and suffragette Elizabeth Gurley, he is swept into the world of labor activism--and dirty business."
 
 
 
If you enjoyed Cloud Cuckoo Land, by Anthony Doerr, you may like:
Cover ArtThe Actual Star, by Monica Byrne
"The Actual Star takes readers on a journey over two millennia and six continents--telling three powerful tales a thousand years apart, all of them converging in the same cave in the Belizean jungle. Braided together are the stories of a pair of teenage twins who ascend the throne of a Maya kingdom; a young American woman on a trip of self-discovery in Belize; and two dangerous charismatics vying for the leadership of a new religion, racing toward a confrontation that will determine the fate of the few humans left on Earth after massive climate change. In each era, a reincarnated trinity of souls navigates the entanglements of tradition and progress, sister and stranger, and love and hate--until all of their age-old questions about the nature of existence converge deep underground, where only in complete darkness can they truly see."
Cover ArtDhalgren, by Samuel R. Delany
"In Bellona, reality has come unglued, and a mad civilization takes root A young half-Native American known as the Kid has hitchhiked from Mexico to the midwestern city Bellona-only something is wrong there... In Bellona, the shattered city, a nameless cataclysm has left reality unhinged. Into this desperate metropolis steps the Kid, his fist wrapped in razor-sharp knives, to write, to love, to wound. So begins Dhalgren, Samuel R. Delany's masterwork, which in 1975 opened a new door for what science fiction could mean. A labyrinth of a novel, it raises questions about race, sexuality, identity, and art, but gives no easy answers, in a city that reshapes itself with each step you take..."
Cover ArtCloud Atlas, by David Mitchell
"Cloud Atlas begins in 1850 with Adam Ewing, an American notary voyaging from the Chatham Isles to his home in California. Along the way, Ewing is befriended by a physician, Dr. Goose, who begins to treat him for a rare species of brain parasite... Abruptly, the action jumps to Belgium in 1931, where Robert Frobisher, a disinherited bisexual composer, contrives his way into the household of an infirm maestro who has a beguiling wife and a nubile daughter... From there we jump to the West Coast in the 1970s and a troubled reporter named Luisa Rey, who stumbles upon a web of corporate greed and murder that threatens to claim her life... And onward, with dazzling virtuosity, to an inglorious present-day England; to a Korean superstate of the near future where neocapitalism has run amok; and, finally, to a postapocalyptic Iron Age Hawaii in the last days of history. But the story doesn't end even there. The narrative then boomerangs back through centuries and space, returning by the same route, in reverse, to its starting point. Along the way, Mitchell reveals how his disparate characters connect, how their fates intertwine, and how their souls drift across time like clouds across the sky."
Cover ArtDark Constellations, by Pola Oloixarac
"Canary Islands, 1882: Caught in the 19th-century wave of scientific classification, explorer and plant biologist Niklas Bruunis researches Crissia pallida, a species alleged to have hallucinogenic qualities capable of eliminating the psychic limits between one human mind and another. Buenos Aires, 1983: Born to a white Argentinian anthropologist and a black Brazilian engineer, Cassio comes of age with the Internet, and demonstrates the skills and personality that will make him one of the first great Argentine hackers. The southern Argentinian techno-hub of Bariloche, 2024: Piera, on the same research group as Cassio, studies human DNA. When the Estromatoliton project comes to fruition, the Argentine government will be able to track every movement of its citizens without their knowledge or consent, using censors that identify DNA at a distance."

 

If you enjoyed The Paris Apartment, by Lucy Foley, you may like:

Cover ArtUnder the Harrow, by Flynn Berry
"When Nora takes the train from London to visit her sister in the countryside, she expects to find her waiting at the station, or at home cooking dinner. But when she walks into Rachel's familiar house, what she finds is entirely different: her sister has been the victim of a brutal murder. Stunned and adrift, Nora finds she can't return to her former life. An unsolved assault in the past has shaken her faith in the police, and she can't trust them to find her sister's killer. Haunted by the murder and the secrets that surround it, Nora is under the harrow: distressed and in danger. As Nora's fear turns to obsession, she becomes as unrecognizable as the sister her investigation uncovers."
Cover ArtThe Last House Guest, by Megan Miranda
"Littleport, Maine, has always felt like two separate towns: an ideal vacation enclave for the wealthy, whose summer homes line the coastline, and a simple harbor community for the year-round residents whose livelihoods rely on service to the visitors. Typically, fierce friendships never develop between a local and a summer girl--but that's just what happens with visitor Sadie Loman and Littleport resident Avery Greer. Each summer for almost a decade, the girls are inseparable--until Sadie is found dead. While the police rule the death a suicide, Avery can't help but feel there are those in the community, including a local detective and Sadie's brother, Parker, who blame her. Someone knows more than they're saying, and Avery is intent on clearing her name, before the facts get twisted against her."
Cover ArtThe Lost Village, by Camilla Sten
"Documentary filmmaker Alice Lindstedt has been obsessed with the vanishing residents of the old mining town, dubbed 'The Lost Village,' since she was a little girl. In 1959, her grandmother's entire family disappeared in this mysterious tragedy, and ever since, the unanswered questions surrounding the only two people who were left--a woman stoned to death in the town center and an abandoned newborn--have plagued her. She's gathered a small crew of friends in the remote village to make a film about what really happened. But there will be no turning back. Not long after they've set up camp, mysterious things begin to happen. Equipment is destroyed. People go missing. As doubt breeds fear and their very minds begin to crack, one thing becomes startlingly clear to Alice: They are not alone. They're looking for the truth...But what if it finds them first?"
Cover ArtThe Turn of the Key, by Ruth Ware
"When Rowan Caine stumbles across the ad, she's looking for something else completely. But it seems like too good an opportunity to miss--a live-in nanny post, with a staggeringly generous salary. And when she arrives at Heatherbrae House, she is smitten--by the luxurious 'smart' home fitted out with all modern conveniences, by the beautiful Scottish Highlands, and by this picture-perfect family. What she doesn't know is that she's stepping into a nightmare--one that will end with a child dead and herself in prison awaiting trial for murder. Writing to her lawyer from prison, she struggles to explain the unraveling events that led to her incarceration. It wasn't just the constant surveillance from the cameras installed around the house, or the malfunctioning technology that woke the household with booming music, or turned the lights off at the worst possible time. It wasn't just the girls, who turned out to be a far cry from the immaculately behaved model children she met at her interview. It wasn't even the way she was left alone for weeks at a time, with no adults around apart from the enigmatic handyman, Jack Grant. It was everything. She knows she's made mistakes. She admits that she lied to obtain the post, and that her behavior toward the children wasn't always ideal. She's not innocent, by any means. But, she maintains, she's not guilty--at least not of murder. Which means someone else is."
 

If you enjoyed Lessons in Chemistry, by Bonnie Garmus, you may like:

Cover ArtHer Hidden Genius, by Marie Benedict
"Rosalind Franklin knows if she just takes one more X-ray picture-one more after thousands-she can unlock the building blocks of life. Never again will she have to listen to her colleagues complain about her, especially Maurice Wilkins who'd rather conspire about genetics with James Watson and Francis Crick than work alongside her. Then it finally happens-the double helix structure of DNA reveals itself to her with perfect clarity. But what happens next, Rosalind could have never predicted. Marie Benedict's next powerful novel shines a light on a woman who died to discover our very DNA, a woman whose contributions were suppressed by the men around her but whose relentless drive advanced our understanding of humankind."
Cover ArtThe Signature of All Things, by Elizabeth Gilbert
"In this book the author returns to fiction, inserting her inimitable voice into an enthralling story of love, adventure and discovery. Spanning much of the eighteenth and nineteenth centuries, the novel follows the fortunes of the extraordinary Whittaker family as led by the enterprising Henry Whittaker-a poor-born Englishman who makes a great fortune in the South American quinine trade, eventually becoming the richest man in Philadelphia. Born in 1800, Henry's brilliant daughter, Alma (who inherits both her father's money and his mind), ultimately becomes a botanist of considerable gifts herself. As Alma's research takes her deeper into the mysteries of evolution, she falls in love with a man named Ambrose Pike who makes incomparable paintings of orchids and who draws her in the exact opposite direction, into the realm of the spiritual, the divine, and the magical. Alma is a clear-minded scientist; Ambrose a utopian artist, but what unites this unlikely couple is a desperate need to understand the workings of this world and the mechanisms behind all life. The story soars across the globe, from London to Peru to Philadelphia to Tahiti to Amsterdam, and beyond. Along the way, the story is peopled with unforgettable characters: missionaries, abolitionists, adventurers, astronomers, sea captains, geniuses, and the quite mad. But most memorable of all, it is the story of Alma Whittaker, who, born in the Age of Enlightenment, but living well into the Industrial Revolution, bears witness to that extraordinary moment in human history when all the old assumptions about science, religion, commerce, and class were exploding into dangerous new ideas"
Cover ArtMr. & Mrs. American Pie, by Juliet McDaniel
"The year is 1969. Dick Nixon was just sworn in as the thirty-seventh President of the United States. Neil Armstrong just took one small step for man and one giant leap for mankind. And notable Palm Springs socialite Maxine Simmons just found out that her husband is leaving her for his twenty-two-year-old secretary. After a public meltdown at Thanksgiving, Maxine finds herself not only divorced but exiled to Scottsdale, Arizona. However, these desert boondocks will not be her end--only her Elba."
"Bernadette is a frightfully intelligent wife and mother whose intense allergy to Seattle specifically, and to people in general, has driven her to hire a virtual assistant in India to execute even her most basic tasks. Then her daughter, Bee, insists on a family trip to Antarctica as her reward for getting perfect grades in middle school, and Bernadette is faced with the daunting prospect of actual human interaction. And then Bernadette disappears."

 

If you enjoyed Wish You Were Here, by Jodi Picoult, you may like:

Cover ArtAfterlife, by Julia Alvarez
"Antonia Vega, the immigrant writer at the center of Afterlife, has had the rug pulled out from under her. She has just retired from the college where she taught English when her beloved husband, Sam, suddenly dies. And then more jolts: her bighearted but unstable sister disappears, and Antonia returns home one evening to find a pregnant, undocumented teenager on her doorstep. Antonia has always sought direction in the literature she loves--lines from her favorite authors play in her head like a soundtrack--but now she finds that the world demands more of her than words. Afterlife is a compact, nimble, and sharply droll novel. Set in this political moment of tribalism and distrust, it asks: What do we owe those in crisis in our families, including--maybe especially--members of our human family? How do we live in a broken world without losing faith in one another or ourselves? And how do we stay true to those glorious souls we have lost?"
Cover ArtSea of Tranquility, by Emily St. John Mandel
"Edwin St. Andrew is eighteen years old when he crosses the Atlantic by steamship, exiled from polite society following an ill-conceived diatribe at a dinner party. He enters the forest, spellbound by the beauty of the Canadian wilderness, and suddenly hears the notes of a violin echoing in an airship terminal--an experience that shocks him to his core. Two centuries later a famous writer named Olive Llewellyn is on a book tour. She's traveling all over Earth, but her home is the second moon colony, a place of white stone, spired towers, and artificial beauty. Within the text of Olive's best-selling pandemic novel lies a strange passage: a man plays his violin for change in the echoing corridor of an airship terminal as the trees of a forest rise around him. When Gaspery-Jacques Roberts, a detective in the black-skied Night City, is hired to investigate an anomaly in the North American wilderness, he uncovers a series of lives upended: The exiled son of an earl driven to madness, a writer trapped far from home as a pandemic ravages Earth, and a childhood friend from the Night City who, like Gaspery himself, has glimpsed the chance to do something extraordinary that will disrupt the timeline of the universe."
Cover ArtDoctors and Friends, by Kimmery Martin
"Hannah, Compton, and Kira have been close friends since medical school, reuniting once a year for a much-needed vacation. Just as they gather to travel in Spain, an outbreak of a fast-spreading virus throws the world into chaos. When Compton Winfield returns to her job as an ER doctor in New York City, she finds a city changed beyond recognition--and a personal loss so gutting it reshapes every aspect of her life. Hannah Geier's career as an ob-gyn in San Diego is fulfilling but she's always longed for a child of her own. After years of trying, Hannah discovers she's expecting a baby just as the disease engulfs her city. Kira Marchand, an infectious disease doctor at the CDC in Atlanta, finds herself at the center of the American response to the terrifying new illness. Her professional battle turns personal when she must decide whether her children will receive an experimental but potentially life-saving treatment."
Cover ArtOne Italian Summer, by Rebecca Serle
"When Katy's mother dies, she is left reeling. Carol wasn't just Katy's mom, but her best friend and first phone call. To make matters worse, the mother-daughter trip of a lifetime looms: two weeks in Positano. Katy has been waiting years for Carol to take her, and now she is faced with embarking on the adventure alone. But as soon as she steps foot on the beautiful Amalfi Coast, Katy begins to feel her mother's spirit. And then Carol appears for real--in the flesh, healthy and sun-tanned ... and thirty years old. Katy doesn't understand what is happening, or how. But over the course of her time in Italy, Katy gets to know Carol in this new form, and soon she must reconcile the mother who knew everything with the young woman who does not yet have a clue."

 

If you enjoyed Atlas of the Heart, by Brené Brown, you may like:

"In The Power of Strangers, journalist Joe Keohane takes us through an inquiry into our shared history, one that offers surprising and compelling insights into our own social and political moment. But if strangers seem to some to be the problem, history, data, and science show us that they are actually our solution. In fact, throughout human history, our address to the stranger, the foreigner, the marginalized, and the other has determined the fate and well-being of both nations and individuals. A raft of new science confirms that the more we open ourselves up to encounters with those we don't know, the healthier we are. Modern cities are vast clusters of strangers. Technology has driven many of us into silos of isolation. Through deep immersion with sociologists, psychologists, neuroscientists, theologians, philosophers, political scientists and historians, Keohane learns about how we're wired to sometimes fear, distrust, and even hate strangers; what happens to us--as individuals, groups, and as a culture--when we indulge those biases; and at the same time, he digs into a growing body of cutting-edge research on the surprising social and psychological benefits that come from talking to strangers; how even passing interactions with strangers can enhance empathy, happiness, and cognitive development, ease loneliness and isolation, and root us in the world, deepening our sense of belonging; how paradoxically, strangers can help us become more fully ourselves. Keohane explores the ways in which biology, culture, and history have defined us and our understanding of people we don't know."
"For most of her life, Lauren Martin thought that she was the only one who experienced insecurity, inferiority, and self doubt that could detail her entire day. But after a chance encounter with a (beautiful, successful) stranger who revealed that she felt it, too, Lauren realized that she wasn't alone in mood swings. She set out to better understand the hold that her moods had on her, and began to blog about the wisdom she uncovered. Quickly, it exploded into an international online community of women who felt like she did: lost, irritable, depressed, anxious, moody, and desirous of change. Inspired by her audience to press even deeper, The Book of Moods shares Lauren's journey to infuse her life with a sense of peace and stability. With observations that will resonate and inspire, this conversational compendium of moods has something for everyone, whether what gets under your skin is your relationship with your mother, the relentless grind at your job, days when you wish the mirror had a Valencia filter, or all of the above. Blending cutting-edge science, timeless philosophy, and effective forms of self-care, Martin has written a powerful, intimate, and incredibly relatable chronicle of transformation."
"In Together, the former Surgeon General addresses the overlooked epidemic of loneliness as the underpinning to the current crisis in mental wellness and offers solutions to create connection and stresses the importance of community to counteract the forces driving us to depression and isolation."
"Have you ever wondered 'Why did I do that?' or 'Why can't I just control my behavior?' Others may judge our reactions and think, 'What's wrong with that person?' When questioning our emotions, it's easy to place the blame on ourselves; holding ourselves and those around us to an impossible standard. It's time we started asking a different question.
Through deeply personal conversations, Oprah Winfrey and renowned brain and trauma expert Dr. Bruce Perry offer a groundbreaking and profound shift from asking 'What's wrong with you?' to 'What happened to you?' Here, Winfrey shares stories from her own past, understanding through experience the vulnerability that comes from facing trauma and adversity at a young age. In conversation throughout the book, she and Dr. Perry focus on understanding people, behavior, and ourselves. It's a subtle but profound shift in our approach to trauma, and it's one that allows us to understand our pasts in order to clear a path to our future—opening the door to resilience and healing in a proven, powerful way."

 

If you enjoyed The Dawn of Everything, by David Graeber and David Wengrow, you may like:

"Winner of the Pulitzer Prize, Guns, Germs, and Steel is a brilliant work answering the question of why the peoples of certain continents succeeded in invading other continents and conquering or displacing their peoples. This edition includes a new chapter on Japan and all-new illustrations drawn from the television series. Until around 11,000 BC, all peoples were still Stone Age hunter/gatherers. At that point, a great divide occurred in the rates that human societies evolved. In Eurasia, parts of the Americas, and Africa, farming became the prevailing mode of existence when indigenous wild plants and animals were domesticated by prehistoric planters and herders. As Jared Diamond vividly reveals, the very people who gained a head start in producing food would collide with preliterate cultures, shaping the modern world through conquest, displacement, and genocide.The paths that lead from scattered centers of food to broad bands of settlement had a great deal to do with climate and geography. But how did differences in societies arise? Why weren't native Australians, Americans, or Africans the ones to colonize Europe? Diamond dismantles pernicious racial theories tracing societal differences to biological differences. He assembles convincing evidence linking germs to domestication of animals, germs that Eurasians then spread in epidemic proportions in their voyages of discovery. In its sweep, Guns, Germs and Steel encompasses the rise of agriculture, technology, writing, government, and religion, providing a unifying theory of human history as intriguing as the histories of dinosaurs and glaciers."
"This book frames climate change and the Anthropocene as the culmination of a history that begins with the discovery of the New World and of the sea route to the Indian Ocean. Ghosh makes the case that the political dynamics of climate change today are rooted in the centuries-old geopolitical order that was constructed by Western colonialism. This argument is set within a broader narrative about human entanglements with botanical matter-spices, tea, sugarcane, opium, and fossil fuels-and the continuities that bind human history with these earthly materials. Ghosh also writes explicitly against the backdrop of the COVID-19 pandemic, the Black Lives Matter protests, and international immigration debates, among other pressing issues, framing these ongoing crises in a new way by showing how the colonialist extractive mindset is directly connected to the deep inequality we see around us today."
"From a renowned historian comes a groundbreaking narrative of humanity's creation and evolution that explores the ways in which biology and history have defined us and enhanced our understanding of what it means to be "human." One hundred thousand years ago, at least six different species of humans inhabited Earth. Yet today there is only one--homo sapiens. What happened to the others? And what may happen to us? Most books about the history of humanity pursue either a historical or a biological approach, but Dr. Harari breaks the mold with this book that begins about 70,000 years ago with the appearance of modern cognition. From examining the role evolving humans have played in the global ecosystem to charting the rise of empires, the book integrates history and science to reconsider accepted narratives, connect past developments with contemporary concerns, and examine specific events within the context of larger ideas .Dr. Harari also compels us to look ahead, because over the last few decades humans have begun to bend laws of natural selection that have governed life for the past four billion years. We are acquiring the ability to design not only the world around us, but also ourselves. Where is this leading us, and what do we want to become?"
Cover ArtWhat Is Progress, by Aldo Schiavone
"Does the idea of progress still apply to our times? If so, what does progress really mean? Today, many believe that progress is a word to be avoided, a relic from a past, the dangerous product of an era of intellectual naivety that would be best forgotten. Yet, the idea of progress is rooted in a human impulse that is both profound and essential, a way of interpreting history without which our ability to plan the future, our very identity would be at stake. Written just before the onset of the Coronavirus pandemic-which is now putting its argument to the hardest of tests-this lucid essay explores how science and technology have been, and can still be, a powerful engine for human and humane advancement."

 

If you enjoyed Braiding Sweetgrass, by Robin Wall Kimmerer, you may like:

Cover ArtSilent Spring, by Rachel Carson
"Rarely does a single book alter the course of history, but Rachel Carson's Silent Spring did exactly that. The outrcry that followed its publication in 1962 forced the banning of DDT and spurred the revolutionary changes in the laws affecting our air, land, and water. Carson's passionate concern for the future of our planet reverberated powerfully throughout the world, and her eloquent book was instrumental in launching the environmental movement. It is without question one of the landmark books of the twentieth century."
"An Indigenous environmental scientist breaks down why western conservationism isn't working--and offers Indigenous models informed by case studies, personal stories, and family histories that center the voices of Latin American women and land protectors. Despite the undeniable fact that Indigenous communities are among the most affected by climate devastation, Indigenous science is nowhere to be found in mainstream environmental policy or discourse. And while holistic land, water, and forest management practices born from millennia of Indigenous knowledge systems have much to teach all of us, Indigenous science has long been ignored, otherized, or perceived as soft--the product of a systematic, centuries-long campaign of racism, colonialism, extractive capitalism, and delegitimization. Here, Jessica Hernandez--Maya Ch'orti' and Zapotec environmental scientist and founder of environmental agency Piña Soul--introduces and contextualizes Indigenous environmental knowledge and proposes a vision of land stewardship that heals rather than displaces, that generates rather than destroys. She breaks down the failures of western-defined conservatism and shares alternatives, citing the restoration work of urban Indigenous people in Seattle; her family's fight against ecoterrorism in Latin America; and holistic land management approaches of Indigenous groups across the continent. Through case studies, historical overviews, and stories that center the voices and lived experiences of Indigenous Latin American women and land protectors, Hernandez makes the case that if we're to recover the health of our planet--for everyone--we need to stop the eco-colonialism ravaging Indigenous lands and restore our relationship with Earth to one of harmony and respect."
"Dating back to slavery, Edgefield County, South Carolina, a place 'easy to pass by on the way somewhere else,' has been home to generations of Lanhams. In The Home Place, readers meet these extraordinary people, including Drew himself, who over the course of the 1970s falls in love with the natural world around him. As his passion takes flight, however, he begins to ask what it means to be 'the rare bird, the oddity' to find joy and freedom in the same land his ancestors were tied to by forced labor, and then to be a black man in a profoundly white field. This book is a remarkable meditation on nature and belonging, at once a deeply moving memoir and riveting exploration of the contradictions of black identity in the rural Southland in America today."
"A mesmerizing work of essays and tender illustrations, meditations on nature, cumulative in effect; nature as memoir, nature as metaphor, nature as simply and joyously itself. Each chapter captures a moment, each centered around a different natural phenomenon and charts the reverberations of the lived experience it evokes, be it family, identity or the notion of belonging. She urges us to start small to 'start with what we loved as kids and see where that leads us.'"
"Living at the border between life and non-life, fungi use diverse cocktails of potent enzymes and acids to disassemble some of the most stubborn substances on the planet, turning rock into soil and wood into compost, allowing plants to grow. Fungi not only help create soil, they send out networks of tubes that enmesh roots and link plants together in the "Wood Wide Web." Fungi also drive many long-standing human fascinations: from yeasts that cause bread to rise and orchestrate the fermentation of sugar into alcohol; to psychedelic fungi; to the mold that produces penicillin and revolutionized modern medicine. And we can partner with fungi to heal the damage we've done to the planet. Fungi are already being used to make sustainable building materials and wearable leather, but they can do so much more. Fungi can digest many stubborn and toxic pollutants from crude oil to human-made polyurethane plastics and the explosive TNT. They can grow food from renewable sources: edible mushrooms can be grown on anything from plant waste to cigarette butts. And some fungi's antiviral compounds might be able to ease the colony collapse of bees. Merlin Sheldrake's revelatory introduction to this world will show us how fungi, and our relationships with them, are more astonishing than we could have imagined. Bringing to light science's latest discoveries and ingeniously parsing the varieties and behaviors of the fungi themselves, he points us toward the fundamental questions about the nature of intelligence and identity this massively diverse, little understood kingdom provokes."
"Simard brings us into the intimate world of the trees, in which she brilliantly illuminates the fascinating and vital truths—that trees are not simply the source of timber or pulp, but are a complicated, interdependent circle of life; that forests are social, cooperative creatures connected through underground networks by which trees communicate their vitality and vulnerabilities with communal lives not that different from our own. Simard writes of how trees, living side by side for hundreds of years, have evolved, how they perceive one another, learn and adapt their behaviors, recognize neighbors, and remember the past; how they have agency about the future; elicit warnings and mount defenses, compete and cooperate with one another with sophistication, characteristics ascribed to human intelligence, traits that are the essence of civil societies—and at the center of it all, the Mother Trees: the mysterious, powerful forces that connect and sustain the others that surround them. Simard writes of her own life, born and raised in the rainforests of British Columbia, of her days as a child spent cataloging the trees from the forest and how she came to love and respect them—embarking on a journey of discovery, and struggle. And as she writes of her scientific quest, she writes of her own journey—of love and loss, of observation and change, of risk and reward, making us understand how deeply human scientific inquiry exists beyond data and technology, that it is about understanding who we are and our place in the world, and, in writing of her own life, we come to see the true connectedness of the Mother Tree that nurtures the forest in the profound ways that families and human societies do, and how these inseparable bonds enable all our survival."

 

If you enjoyed In Love: A Memoir of Love and Loss, by Amy Bloom, you may like:

Cover ArtElegy for Iris, by John Bayley
"With remarkable tenderness, John Bayley recreates his passionate love affair with Iris Murdoch--world-renowned writer and philosopher, and his wife of forty-two years--and poignantly describes the dimming of her brilliance due to Alzheimer's disease. Elegy for Iris is a story about the ephemeral beauty of youth and the sobering reality of what it means to grow old, but its ultimate power is that Bayley discovers great hope and joy in his celebration of Iris's life and their love. In its grasp of life's frailty and its portrayal of one of the great literary romances of this century, Elegy for Iris is a mesmerizing work of art that will be read for generations."
Cover ArtLost & Found: A Memoir, by Kathryn Schulz
"Eighteen months before her beloved father died, Kathryn Schulz met Casey, the woman who would become her wife. This book weaves together their love story with the story of losing Kathryn's father in a brilliant exploration of the way families are lost and found and the way life dispenses wretchedness and suffering, beauty and grandeur all at once. Schulz writes with painful clarity about the vicissitudes of grieving her father, but she also writes about the vital and universal phenomenon of finding. The book is organized into three parts: "Lost," which explores the sometimes frustrating, sometimes comic, sometimes heartbreaking experience of losing things, grounded in Kathryn's account of her father's death; "Found," which examines the experience of discovery, grounded in her story of falling in love; and finally, "And," which contends with the way these events happen in conjunction and imply the inevitable: Life keeps going on, not only around us but beyond us and after us. Kathryn Schulz has the ability to measure the depth and breadth of human experience with unusual exactness and then to articulate the things all of us have felt but have been unable to put into language. This is a work of philosophical interrogation as well as a story about life, death, and the discovery of one great love just as she is losing another."
"Working with Vanity Fair contributing editor Michael Shnayerson, B. and her husband, Dan, share B.'s unfolding story on dealing with early-onset Alzheimer's. Crafted in short chapters that interweave their narrative with practical and helpful advice, readers learn in small bites about dealing with Alzheimer's disease's day-to-day challenges, the family tensions, and ways of coping, as well as gain tips on diet and exercise from a lifestyle maven using her decades of expertise in a new and unexpected way."
"The author met Eiolf a month after arriving in Norway from Malaysia as an exchange student. They fell in love, married, and settled into domestic bliss. Then Eiolf’s unexpected death at fifty-four left Woon struggling to imagine a life without the man who had been her partner and anchor for thirty-two years. Adrift in grief, she signed up for a beginner’s course on mushrooming—a course the two of them had planned to take together—and found, to her surprise, that the pursuit of mushrooms rekindled her zest for life. This is the story of parallel journeys: an inner one, through the landscape of mourning, and an outer one, into the fascinating realm of mushrooms—resilient, adaptable, and essential to nature’s cycle of death and rebirth. From idyllic Norwegian forests and urban flower beds to the sandy beaches of Corsica and New York’s Central Park, Woon uncovers an abundance of surprises often hidden in plain sight. Along the way, she discovers the warm fellowship of other mushroom obsessives, and finds that giving her full attention to the natural world transforms her, opening a way for her to survive Eiolf’s death, to see herself anew, and to reengage with life."
 

If you enjoyed These Precious Days, by Ann Patchett, you may like:

"What is a book club but an excuse to talk to friends? The Toni Morrison Book Club brings that experience to life by telling the story of four friends who turn to Toni Morrison as they search for meaning in their lives. In this startling group memoir, the writers--black and white, gay and straight, immigrant and American born--allow Morrison's words, like music, to make them feel, confess, and discover. The result is a collection of deeply personal conversations about everything from first love to Soul Train to police brutality and the Black Lives Matter movement, all told with an ever present lens on race in America. Not shying away from controversies, this book offers a radically new way to envision book clubs as a healing force in our lives. So pull up a chair and pour yourself a much needed glass of wine, as you get ready to experience the messy differences, surprising revelations, and restorative power of The Toni Morrison Book Club."
Cover ArtCoventry: Essays, by Rachel Cusk
"The author's first collection of essays about motherhood, marriage, feminism, and art both offers new insights on the themes at the heart of her fiction and forges a startling critical voice on some of our most urgent personal, social, and artistic questions."
"Melissa Febos tackles the emotional, psychological, and physical work of writing intimately while offering an utterly fresh examination of the storyteller’s life and the questions which run through it. How might we go about capturing on the page the relationships that have formed us? How do we write about our bodies, their desires and traumas? What does it mean for an author’s way of writing, or living, to be dismissed as 'navel-gazing'—or else hailed as 'so brave, so raw'? And to whom, in the end, do our most intimate stories belong? Drawing on her own path from aspiring writer to acclaimed author and writing professor—via addiction and recovery, sex work and academia—Melissa Febos has created a captivating guide to the writing life, and a brilliantly unusual exploration of subjectivity, privacy, and the power of divulgence. Candid and inspiring, Body Work will empower readers and writers alike, offering ideas—and occasional notes of caution—to anyone who has ever hoped to see themselves in a story."
"Publishing for the centenary of her birth, Patricia Highsmith's diaries 'offer the most complete picture ever published' of the canonical author (New York Times). Relegated during her lifetime to the pulpy genre of mystery, Patricia Highsmith has emerged since her death in 1995 as one of 'our greatest modernist writers' (Gore Vidal). Presented for the first time, this one-volume assemblage of her diaries and notebooks-posthumously discovered behind Highsmith's linens and culled from more than 8,000 pages by her devoted editor, Anna von Planta-traces the mesmerizing double-life of an artist who '[worked] like mad to be something.' Beginning in 1941 during her junior year at Barnard, the diaries exhibit the intoxicating 'atmosphere of nameless dread' (Boston Globe) that permeates classics such as Strangers on a Train and the Ripley series. In her skewering of McCarthy-era America, her prickly disparagement of contemporary art, her fixation on love and writing, and ever-percolating prejudices, the famously secretive Highsmith reveals the roots of her psychological angst and acuity. In one of the most compulsively readable literary diaries to publish in generations, at last we see how Patricia Highsmith became Patricia Highsmith."

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